Prince Philip - Deadly Virus

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http://cultofthedeadfish.blogspot.com.es/2012/04/prince-philip-quotes.html

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The Unlawful Killing of Princess Diana and Dodi Al-Fayed - The movie the Windsors don't want you to see

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http://www.facebook.com/photo.php?fbid=403276079771021&set=a.403276073104355.1073741849.222983281133636&type=1&relevant_count=1&ref=nf

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The Unlawful Killing of Princess Diana and Dodi Al-Fayed
The movie the Windsors don't want you to see

Deleted numerous times from the internet - see it here:

Part 1:
http://share.shutterfly.com/share/received/welcome.sfly?fid=737f4c93bc8c8ca9&sid=0Qct2zJuxaNntA

Part2:
http://share.shutterfly.com/action/welcome?sid=0Qct2zJuxaNnpQ

Three days ago, the Rebel Site got taken offline by its hosting firm under the provisions of the Digital Millennium Copyright Act of 1998. The offense: I had republished the 2011 British documentary “Unlawful Killing” produced by Allied Star, a London-based film company owned by Egyptian billionaire Mohamed Al-Fayed, the father of Dodi Al-Fayed. The documentary implicates – amongst other things – the British royal family in the murder of the couple and its cover-up.
Youtube and Vimeo had already deleted the video a few weeks earlier, forcing me to host it directly on the Rebel Site. Two emails sent to me shortly after by the lawyers of my hosting firm unfortunately got intercepted by the spam filter. In those emails they advised me that they had received a complaint by a London based law firm, claiming the hosting of the video was in breach of their client’s copyrights. Since I didn’t receive the emails I obviously couldn’t comply with their request, forcing my hosting company of 7.5 years to disable the site.
Grudgingly, I deleted the video as demanded to get the site back online as soon as possible. However, I sent a letter back to the lawyers, with a 10 days deadline to provide written evidence that the plaintiff’s law firm was acting on behalf of the copyright owner, Allied Star. I also sent an email to Mohamed Al-Fayed, asking for permission to publish the film. The reply of his office was swift. It confirmed that they had requested the London law firm to make me take down the video. The only reason they gave was that the film had been taken off the market.
Read More:
http://www.prisonplanet.com/the-unlawful-killing-of-princess-diana-and-dodi-al-fayed.html

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The 2011 VMAs: A Celebration of Today’s Illuminati Music Industry

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http://vigilantcitizen.com/musicbusiness/the-2011-vmas-a-celebration-of-todays-illuminati-music-industry/

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The 2011 VMAs: A Celebration of Today’s Illuminati Music Industry

Sep 8th, 2011 | Category: Music Business |368 Comments

MTV’s Video Music Awards give out “Moon Man” trophies to music artists who have had success during the previous year. But there is much more to it than shiny trophies. The VMAs are a celebration of the Illuminati industry, of those who push its agenda and a promotional tool to put the next generation of “initiates” into the spotlight. We’ll look at the 2011 VMAs, the stars that were celebrated and the material that leads them there.

The MTV Video Music Awards are considered to be a few hours of performances and award acceptance speeches mixed with a few shocking moments to generate publicity. But there is more to the award ceremony than meets the eye. This mega-media-event, broadcast around the world, serves several important purposes: First, it is a major promotional tool that allows a select group of artists to gain exposure and recognition while ignoring others; second, it is an almost ritualistic celebration of the Illuminati industry, spotlighting the artists who have pushed its agenda over the previous year. My article on the 2009 VMAs described the ritualistic and symbolic elements that were found throughout the show -  there was a definite occult element underlying the show which reflected the mind state of the industry.

The 2011 VMAs arguably contained less occult ritualistic elements, but was still a tightly choreographed show featuring a very select number of artists. These few actors took turns, performing, presenting and awarding each other Moon Men. In other words, the VMAs can be compared to a burlesque play where a few actors take turns appearing on stage to interact with each others. Sometimes, new characters are introduced while others are “killed off”.

Almost all of the artists who were recognized at the VMAs have been featured in some way on this site (Vigilant Citizen, in case you forgot), which is not surprising as most or all of their work pushes some part of the Illuminati agenda. The main actors of this show were: Lady Gaga (of course), Katy Perry, Jessie-J, Jay-Z, Kanye West, Nicki Minaj, Beyonce and Odd Future. Wearing crazy, outlandish costumes and taking on theatrical personas, many of the artists featured in the award were not themselves, but playing characters. In fact, the show began with a long speech by Lady Gaga playing the role of a greasy Italian dude from the 1950s.

Let’s look at the several “acts” of the 2011 VMA’s and their meaning in the context of the Illuminati industry.

Artists and presenters emerged from a womb-like stage. They were literally coming out of the “belly of the beast”.

Lady Gaga’s Alter Persona

Gaga’s alter-ego opening the VMAs

The show opens with Gaga’s latest stunt: An male alter-ego that is a greasy annoying New York dude. Many of Gaga’s singles are accompanied with a complicated setup, including characters and theatrical props (remember the horns on her heads?) – all of which get exposure in several media outlets, including TV and magazines.

For her single Yoü And I, Gaga introduced Joe Calderone, a male alter-ego. Like most of Gaga’s other stunts, most people have absolutely no idea why Gaga did what she did. Why was she dressed as an Italian dude to sing a country-rock song? What’s the point? Like most of Gaga’s other stunts, the occult meaning of this whole charade can be found in the music video.

While the video could be the subject of an entire article, I can sum it up in two words: mind control. More specifically, it is about Monarch programming and the creation of alter-egos through the use of trauma-inducing techniques. In the video, Gaga is shown bound and tortured by a cruel handler who subjects her to the most common methods of mind control: Electroshock therapy, sexual abuse, the injection of drugs and physical torture. Yes, all of these things were portrayed in the video, along with the presence the several alter-egos created by the process. (If you have no idea what I am talking about, I suggest you read the article entitled Origins and Techniques of Monarch Mind Control).

So Lady Gaga, who is already an alter-persona of Stefanie Germanotta (the real person) has another level of alter-ego that is pretty much the exact opposite of Lady Gaga: Male, dressed in drab clothes, not glamorous, not famous, etc. In Calderone’s long speech at the beginning of the VMAs, he says that Gaga left him and that he wants to be reunited with her. In occult terms, the union of opposites is called the “Alchemical Wedding” and is often represented by the figure of Baphomet – an androgynous, goat-headed deity. The title Yoü And I represents the union of the two opposite personas, Gaga and Joe Calderone, and, since they are basically same person, this ultimately creates an androgynous entity, not unlike Baphomet. In Kabbalistic lore, androgyny is perceived as the highest level of occult achievement and the concept of duality is strongly instilled in mind control victims. In other words, the presence of Joe Calderone at the VMAs is a big tribute to mind control. Good way to start a show. But Gaga did not stop there. She committed to her persona and played the role of Calderone during the entire show.

Other Alter Personas

Lady Gaga’s alter-persona was heavily featured at the VMAs, but most of the artists that participated in the awards also incorporate alter personas in their acts.

Nicki Minaj

Nicki Minaj is already a created alter persona, very different from the real person that is Onika Tanya Maraj. The odd, fashion-crazy, surgically-enhanced persona that is Minaj is a made-for-the-music-industry character created to become a star. On top of that alter, there is Roman Zolanski, a male alter-ego that appeared on some songs and that will probably be appearing a lot more in the future. Roman Zolanski is based on Roman Polanski, the movie producer who was charged for rape by use of drugs and lascivious act upon a child under 14 a few years ago.

During the 2011 VMAs, Nicki wore a Harajuku-inspired dress featuring mirror fragments (a Monarch symbol representing the fragmenting of personality). The combination of “kiddie” accessories with the sexiness of the dress’ cut (it’s “revealing” at the right places) is a little questionable.

Katy Perry

Katy Perry was also all over the VMAs this year as one of the “main characters”. Her latest single titled Last Friday Night introduced Katy’s fans to her odd alter-ego: a nerdy 13 year old girl.

Katy Perry’s young alter-ego waking up next to some unknown perv.

To sum up the Last Friday Night video, the awkward teenager gets a make-over from Rebecca Black in order to look like a slut, then gets drunk and has a menage à trois. Great message to girls between ages 10-14!

One of the four outfits worn by Katy Perry featured a big bright cube on her head, as if her thoughts were controlled by it. In fact, it reminded me of the icon you see when selecting a player to control in the Sims video game.

When this greenish shape hovers above a character, you can do pretty much whatever you want with it … a little like how the industry can do pretty much whatever it wants with its artists.

Odd Tributes

Every award show presents tributes to artists who had an outstanding career and to the greats who left this world. The VMAs are no exception but these tributes are becoming increasingly odd, insincere and dedicated to victims of the industry. In the article on the 2009 VMAs, I described the tribute to Michael Jackson, which was given by Madonna – someone who did not particularly “click” with MJ. The tribute also featured a weird video montage featuring him as zombie  – which is a strange way to honor a dead person.

The 2011 VMAs presented two tributes that were just as weird as they were almost mocking the artist in question.

Britney Spears

Britney was the recipient of  the Michael Jackson Video Vanguard Award for her “influence in music video and dance”… although she did not direct any of her videos nor devise any of her choreography … but let’s forget this detail. To emphasize the non-sincerity of the tribute and to make sure to point out that “this is all an act”, the award is presented by an imaginary character…Lady Gaga’s Joe Calderone. Britney, who is a true mind control victim of the industry and who has often shown the desire to leave it all, is given an award by an alter-ego that is basically a tribute to mind control.

The tribute then proceeds to show a mix of Britney’s most popular videos whose costumes and choreography were reproduced by young girls.

The tribute to Britney’s career was performed by young girls in skimpy outfits, reminding us of Britney’s “contribution” to the sexualization of children agenda.

When Britney finally gets on stage to accept her award, an awkward Joe Calderone pretty much steals the show.

Sorry, I’m not doing any transvestite lesbian kissing right now, but thanks for ruining my tribute.

Upon receiving her award, instead of giving acceptance speech and “having her moment”, Britney proceeds to … present Beyonce and goes on with Joe Calderone about how great she is. I am pretty sure that was scripted and forced on her, making this probably the most insincere tribute of all time. Or was it?

Amy Winehouse

Having lost her life a few weeks prior to the awards, it was only fair that Amy Winehouse got a tribute for her great talent. However, as we have seen in the article entitled Amy Winehouse and Club 27, her death might have been the result of a ritual sacrifice and the tribute was at least as odd as the one for Michael Jackson, another great who died in strange circumstances.

Russell Brand was selected to honor Amy Winehouse. He alluded to her great voice but mostly talked about how she was a “crazy person, stinking of booze and wondering around London”. He then went on to say that she was afflicted with a “disease” that affect a lot of people, alcoholism and drug addiction, although no traces of drugs were found in Winehouse nor at her home at the time of the death. Why not focus on the human being and her accomplishments?

The tribute performance that followed featured several images of Amy Winehouse with one eye hidden, which, as readers of this site know, is a symbol of Illuminati control.

In the short video compilation before Bruno Mars’ performance, we see Winehouse hiding one eye, then another.

Image of Amy with one eye hidden during the performance

Another image of Amy with an eye that seems to have been photoshopped.

The First Couple and the Big Announcement

Like the last few VMA awards, Jay-Z and Beyonce were pretty much the King and Queen of the 2011 ceremonies. First, Jay-Z and Kanye West performed the first single from their album Watch the Throne. This album opens with a revealing song entitled No Church in the Wild (featuring Odd Future’s Frank Ocean). The song describes a philosophy that is akin to Aleister Crowley’s “Thelema”. Kanye West’s verse goes as follows:

Coke on her black skin made a stripe like a zebra
I call that jungle fever
You will not control the threesome
Just roll the weed up until I get me some
We formed a new religion
No sins as long as there’s permission
And deception is the only felony
So never f-ck nobody wit’out tellin’ me

Aleister Crowley’s motto was “Do What Thou Wilt” which seems to be echoed in Kanye saying“We formed a new religions/No sins as long as there’s permission”. Crowley was also known to have extensively experimented with drugs and sexuality in a spiritual context – another concept reflected by his verse. Later in the song,  Kanye appears to be referring to relations with a Monarch sex kitten.

Thinkin’ ’bout the girl in all-leopard
Who was rubbin’ the wood like Kiki Shepard
Two tattooes, one read “No Apologies”
The other said “Love is cursed by monogamy”

The song therefore echoes similar themes to those communicated by other pop stars (such as Gaga) – which is the philosophy that is promoted by the entertainment industry.

Going back to the show, MTV’s first couple had an important announcement to its loyal  subjects: the first lady is with child and will be giving birth to the successor of the king.

Beyonce in front of the womb-like stage, holding her own womb.

Proving the importance of the couple, this silent pregnancy announcement shattered all previous Twitter records with more than 8,000 tweets a second. This kind of attention reminded me of Jay-Z’s almost prophetic verse in the song New Day, from the album that was released about two weeks prior to the VMAs:

Sorry junior, I already ruined ya
‘Cause you ain’t even alive, paparazzi pursuin’ ya
Sins of a father make yo’ life ten times harder
I just wanna take ya to a barber
Bondin’ on charters, all the shit that I never did
Teach ya good values, so you cherish it
Took me 26 years to find my path
My only job is cuttin’ the time in half
So at 13 we’ll have our first drink together

I would never speak ill of an unborn child. I will just hope that he/she won’t become another Willow Smith.

Presenting the New Generation

The VMAs do not only celebrate current Illuminati artists, it “initiates” a new generation of artists who will carry the Illuminati torch into the future. A couple of new acts stood out in the 2011 VMAs.

Jessie J, who already released a few symbolic music videos (see the article entitled Jessie J’s “Price Tag”: It’s Not About Money, It’s About Mind Control), enjoyed great exposure during that night by occupying the Throne, where she performed about a dozen times.

Jessie J sat on the Throne during the VMAs as a “new initiate”.

The artist who obtained the most publicity was however Tyler the Creator from the alternate-rap, shock-rap, lo-fi rap, horrorcore rap, whatever-you-wanna-call-it-rap group Odd Future. Considered to be (by people who know nothing about rap) the “new Wu-Tang Clan”, Odd Future obtained great praise from artists like Kanye West, who deemed Yonkers to be the song of the year, while getting criticized by others, such as Chris Brown, who tweeted: “All this demonic music is wack as shi*! I never claim to be no saint but by no means am I trying to promote death, violence,and destruction with my music!”.

Whatever your opinion is on Tyler the Creator, it is obvious that his theatrical talent, his “anything to shock” attitude, his promotion of self-destruction and his love for inverted crosses will make him a perfect fit in the Illuminati industry. Expect to see a lot more of him in the future.

The video Yonkers has pretty everything needed to shock viewers: Tyler the Creator eats a cockroach, throws up, says things like  “Jesus called, he said he’s sick of the disses I told him to quit bitching, this isn’t a f*cking hotline For a f*cking shrink, sheesh, I already got mine” and ultimately hangs himself. Not unlike other artists at the VMA’s, Tyler has an alter-ego named Wolf Haley.

In Conclusion

The VMAs are not simply a show designed to give out awards. They define who’s hot and who’s not. They celebrate in a ritualistic matter the type of “creativity” that is appreciated by the industry – superficial shock value. As we have seen in this article, almost all of the artists who obtained exposure during the VMAs have released albums and videos that were directly in line with the Illuminati agenda which includes: the promotion of mind control, self-destruction, materialism, superficiality, the sexualization of children and the demeaning of religions. Pushing these kinds of messages through lyrics and symbols is a requirement to be in the “good graces” of the industry – which is a giant, controlling machine, that works with codes and rituals and that heavily calculates and filters the messages sent to the masses.

Although many of the artists featured on the show are “eccentric” and “original”, the core message remains the same and is remarkably consistent, regardless of the musical genre. Aspiring artists who dream to obtain this level of celebrity, understand that this is the “mold to fit” in order to obtain success. The VMAs are an artificial creation that artificially promotes artists to create artificial hype. It is a fake show, filled with fake personas who sing with fake voices, wearing fake wigs and cracking fake smiles, giving fake tributes to other fakes who have been fake longer than them. Are there still real, authentic artists who sing from the heart and do not push “industry-approved” messages? Yes, but you won’t find them watching the VMAs. So turn off that TV and see what the real world has to offer.

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The 2009 VMAs: The Occult Mega-Ritual

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http://vigilantcitizen.com/musicbusiness/the-2009-vmas-the-occult-mega-ritual/

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The 2009 VMAs: The Occult Mega-Ritual

Sep 25th, 2009 | Category: Movies and TV, Music Business |909 Comments

 5788 1350 866 26.6K

From unexpected drama to shocking performances, MTV’s 2009 Video Music Awards managed once again to raise eyebrows and get people talking. What most people missed, however,  were the occult meanings encoded in the VMAs. The TV event was in fact a large scale occult ceremony, complete with an initiation, a prayer and even a blood sacrifice. We’ll look at the symbolism that appeared during the show.

MTV’s Video Music Awards have often incorporated dark and strange acts, containing some occult symbolism. This year’s version, however, outdid itself. The show left most people wondering what was wrong with Kanye West or trying compute the madness of Lady Gaga’s performance. The only way to understand the full meaning behind those performances is to look into esoteric teachings. The fact is that the whole awards show took the most common rituals of occult orders and re-enacted them in a show witnessed by the entire world.

This year’s VMA’s were very different from other awards shows. They focused on a very limited number of artists (Beyonce, Taylor Swift, Lady Gaga), while ignoring many others who were equally successful. The “chosen” artists became characters in the VMA’s ceremony and acted out different ritual dramas. This might sound totally crazy to the average MTV viewer but those acquainted with the practices of occult orders (such as Freemasonry) can decode the references to sacred rituals.  There are numerous types of fraternities and rituals, from the most noble to the most infernal, and they have existed throughout History. The VMAs were decisively inspired by dark, sinister and even Satanic ceremonies.  Let’s look at those rituals.

The High Priestess’ Words of Wisdom

Madonna’s sermon

Madonna, the music industry’s High Priestess, the revered “elder” of MTV, opens the show with a very solemn eulogy for Michael Jackson. She admitted never really knowing or “connecting” with him, but she was still chosen to pay him tribute. Madonna is a well known and publicized adept of the Kaballah, the esoteric school of Judaism which is studied in most occult orders.  Rabbi Ariel Bar Tzadok explained how she uses (or abuses) Kaballah symbolism in her music:

“I discovered that Madonna’s famous dabbling with sacred Jewish mysticism has taken an interesting turn. In her latest music video for the theme song of a new James Bond movie, the “material girl” of old is transforming herself into a “Kabbalah girl.” Aside from the traditional Madonna blend of music and sensuality, in this video we see Madonna has a Holy Name of G-d tattooed onto her right shoulder. Tattooing, mind you, is a practice forbidden under Torah Law, all the more so abhorred by the Kabbalah. Granted the tattoo may not be real or only temporary but nonetheless, any expression of performing a forbidden act is itself forbidden and inexcusable. Unfortunately, Madonna’s abuse of Kabbalah and traditional Torah Judaism does not stop here.

Later in the video we see Madonna winding leather straps around her left arm in the exact same format and style as holy tefillin are worn by religious Jewish men. Tefillin consist of a small leather box containing scared parchments. These are then strapped to one’s left biceps, and the strap is wound down the left arm and around the hand. Granted Madonna did not go so far as to defame the tefillin boxes themselves. Yet, it is quite clear that the wrapping of the straps around her arm is done in orthodox Torah style. This act of hers is pure sacrilege.”

-Rabbi Ariel Bar Tzadok, Madonna’s Kabbalah – Not Kosherhttp://www.koshertorah.com/PDF/madonna%20kabbalah.pdf

Madonna’s tribute focused on the fact that MJ was “otherworldly” and “a king” but  she insisted on the fact that he was also a human being. It was wisdom that could only be imparted by the High Priestess.  Members of the audience bowed their heads and meditated on her words. They had a deep Kabbalisitic resonance.  The speech was followed by a video tribute to Jackson, beginning oddly with ‘Thriller’ and displaying the face of MJ as a decaying zombie, risen from the dead, on a huge screen. We then hear Price’s verse in the song saying:

“Darkness falls across the land
The midnite hour is close at hand
Creatures crawl in search of blood
To terrorize yawls neighbourhood
And whosoever shall be found
Without the soul for getting down
Must stand and face the hounds of hell
And rot inside a corpses shell
The foulest stench is in the air
The funk of forty thousand years
And grizzy ghouls from every tomb
Are closing in to seal your doom
And though you fight to stay alive
Your body starts to shiver
For no mere mortal can resist
The evil of the thriller”

It is only fitting that MJ’s greatest was included in his tribute, but this did seem a rather gruesome way to start a posthumous tribute. Someone, somewhere made some odd choices, but this somehow fitted the “vibe” of the rest of the show.

Taylor Swift’s Initiation

“I’mma let you finish!”

Taylor Swift wins the “Best Female Video” award and goes up on stage to give her thank yous. Kanye West pops out of nowhere, taking the mic from her hand, and informs her that Beyonce has “one of the best videos of all time“. This scene has caused much controversy and has earned Kanye the title of “Douchebag of the year” plus a the honor of being called a “jackass” by the President of the United States. I might shock some people by saying this… but this “unexpected” event was… STAGED! There I said it. Did you ever watch a crappy reality show and had the gut feeling that the whole thing was scripted? Well, I’ve got an overload of that feeling while watching this scene. None of the people involved (not even Beyonce making her “I can’t believe this is happening” face) are good actors. Furthermore, I’ve been following Kanye’s career since his beginnings and I’ve retained one important fact about him:  the only thing Kanye West cares about, is Kanye West. So if he had to throw a hissy fit about something, it would had been about him not winning. Not Beyonce. Him.

This scene is in fact Taylor Swift’s initiation into what I call “The Circle of Chosen Artists”. The pupil is humiliated in front of her peers and told that she is not worthy to be on the same stage as Beyonce, the queen of the ceremony.  Almost all groups, fraternities and gangs carry out an initiation process to test the recruit’s character, strength and worth. Swift’s ordeal was to have Kanye ruin her first award ever and to be told that she didn’t deserve this recognition. The rapper is known for bitching during award shows so he was the perfect candidate to make it all seem “unexpected”.

The Prayer

“Who wants to pray to the devil with me?”

Jack Black comes out dressed as a heavy metal guy on steroids to promote a video game. At one point he asks the audience to put their devil horns in the air and the proceeds to pray to the “darklord Satan”. The whole thing is light-hearted and comical but I don’t see any other way a prayer to Satan can be inserted into a primetime show without getting a truckload of complaints from “concerned parents”. The scene starts off semi-funny but Jack Black finishes off on a more serious note by saying: “I ask you to grant tonight’s nominees with continued success in the music industry“. This last phrase actually reveals a dark truth about the entertainment business.

So the net result of this scene is this: everybody threw up their “devil horns” hand sign, then took each other’s hands and prayed to Satan. This piece of  pre-rehearsed comedy might have been an insignificant skit in another show. But in the context of this one, with its many recreations of occult rituals, the skit takes on a whole other, sinister meaning.

The Blood Sacrifice

Lady Gaga’s performance was hailed as “brilliant” by many music fans. If you however ask them what it symbolizes,  their expression becomes questioning. Here’s what Gaga said about her performance during an interview at gagadaily.com

“Do you think it will be one of those defining moments people will remember at the VMAs?”
“I know it will. I sort of have this philosophy about things: there’s never a reason to do something unless it’s going to be memorable, unless it’s going to change things, unless it’s going to inspire a movement. With the song and with the performance, I hope to say something very grave about fame and the price of it.”

“Something grave? What?”
“You’ll have to see.”

“What are you going to wear? “
“I would say that the fashion for the performance is a representation of the most stoic and memorable martyrs of fame in history. It’s intended to be an iconic image that represents people. I think after watching the performance and maybe studying it after you watch it on YouTube, you’ll see the references and the symbols come through.”

The setting for the performance is very symbolic. Gaga performs in a temple or maybe an  aristocratic mansion, complete with columns, chandeliers and paintings. Occult rituals, mind control experiments and even human sacrifices have  constantly been rumored to take place in those kinds of settings. One feature I cannot ignore is the presence of two massive pillars beneath an arch.

Decor of Gaga’s performance. Notice the two pillars and the arch above

They are unmistakable Masonic symbols, as depicted on this lithograph:

This obvious reference to Freemasonry hints to the occult and ritualistic aspect of Gaga’s performance. Masons are known to carry out ritual dramas in their lodges;  live re-enactments of allegorical stories. Gaga’s performance symbolizes her rise to fame and the sacrifice she had to make in order to succeed.

When the bloody Gaga is lifted into the air, an eerie light comes out from between the pillars and the dancers lift their arms in the air in praise. Many ancient religions carried out ritual sacrifices to please the gods. Blood sacrifices have also been viewed by black magicians as the ultimate way to collect spiritual energy. The final scene of the performance conveys the presence of this mysterious “force” after a sacrifice.

Rising star

Right after her performance, Gaga appears dressed all in red, with her face completely covered in red. She is basically a walking, talking blood sacrifice. It represents the aftermath of fame, the hellish life that follows the sacrifice, the selling of the soul for success in the music industry.

“This if for God and the gays”

Pink’s Masonic Initiation

There is no way a Mason could watch this performance without recalling his initiation into the First Degree. Here’s a description by Mark Stavish:

“The candidate for initiation is stripped of all material possessions and dressed in a strange and peculiar garb (…). This includes a blindfold and a length of rope called a cable tow.”

He continues

“The blindfold used represents secrecy, darkness and ignorance as well as trust. The candidate is led into the lodge room for initiation but is not able to see what is happening. He is bound about the waist and arm with the cable tow.”-Mark Stavish, Freemasonry: Rituals, Symbols and History of the Secret Society

The initiate is blindfolded and attached to a cord with the left breast and left leg exposed

Pink is blindfolded and bound with ropes. Her costume exposes her left breast, as is the case with Masonic initiates. Instead of having her left leg exposed, Pink’s costume bears a diamond pattern which is very reminiscent of the floors in Masonic lodges.

Eastern Star Lodge

Pink’s performance was a dizzying display of acrobatics which undoubtedly left her (and the viewers) totally disoriented. This is also a feature of Freemasonry’s First Degree initiation:

“He is then blindfolded and a cord in the form of a noose is passed round his neck. At this point the novice is entering the marginal stage, associated with ordeals; he cannot see, his sense of direction has been confused and he has been dressed like a victim for execution.”
-J.S. La Fontaine, Initiation – Ritual Drama and secret knowledge across the world

Pink’s performance was yet another blatant reference to ritual dramas in occult orders.

Taylor Swift’s Acceptance into the Order

“Can we try this again now?”

After Swift’s public humiliation, Beyonce, the queen of the ceremony, calls her up on stage to let her “have her moment”. She appears from backstage (as if awaiting her cue) in a red dress which is  strikingly similar to Beyonce’s. A reader of this site has noticed that, at the moment the two singers hug, a strange phrase appears on the screen behind them saying “RDFO IL 40 PRO DEL ATO”. I have no idea what that means, but it was there. If you solve this enigma, be sure to post it in the comments. **Editor’s note** Pretty sure it means “Ilford Delta Pro film”.

Is this a computer glitch or a coded message?

Taylor Swift being called on stage represents the fact that she has now been  accepted as an equal to Beyonce and has become one of the “chosen ones”. The matching dresses also convey this sense of belonging to a new group. She has “passed the test” – the ordeal of being humiliated – and she can now reap the rewards of being an insider.

In Conclusion

Award ceremonies like the VMAs define and crystallize the pop culture of an era. They consecrate the chosen artists while leaving the others dwelling in the shadows of anonymity. As shown above, the whole show was heavily permeated with occult symbolism, primarily focusing on the “initiation” aspect of it. Why is MTV exposing young people (who know nothing about occultism) to such rituals? Is there a subliminal effect on the viewers? Are we educating the new generation to accept these symbols as part of popular culture? There is definitely a second layer of interpretation in many of MTV’s products. To decode the symbols is to understand the inner-workings of the entertainment industry.

I know there’s a bunch of details I didn’t cover – Be sure your to record your findings in the comments section!

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